Archives For waterfalls

Cascades at the Bottom

Jay Patel —  April 29, 2013

Baume les Messieurs, Jura-Burgundy District, France

When we photographed these falls, there was so much mist and water flowing that it was very hard to get close without being splashed. I stood in the stream to take the shot, and ended up soaking wet.

I took this photograph on an overcast day with a circular polarizer. You might think this would be an easy exposure – but it wasn’t. All that water ended up being pretty bright – and the deep shade left me with very dark shadows – so the dynamic range was pretty broad. I used our iHDR manual blending workflow to restore the details in post processing.

Garden of Eden

Jay Patel —  March 27, 2013

Punch Bowl Falls, Columbia River Gorge, Oregon (OR), USA

I am pretty sure that the Garden of Eden would have looked something like this. I love this spot in Eagle Creek in Northern Oregon. The best time to visit this location is when it has been raining – or under heavily overcast skies. Filtered light brings out the rich greens and reduces the overall dynamic range.

This was my third attempt to photograph this location….and if I had to try 300 more times before getting a shot like this, I wouldn’t mind in the least. I enjoyed every minute of it.

I wanted to create a sense of depth in the finished image. To do this, I placed the camera close the surface of the water and used a wide-angle lens. I stood in the water (did I mention that the water was icy cold because of Spring snow melt?) for about 45 minutes and waited for just the right distribution of the bubbles to go by me to capture their streaks with a long shutter speed. By the time I was done, my feet were numb… I think I could feel my toes again after another hour and a half. ;)

A Waterfall No More

Jay Patel —  March 15, 2013

Navajo Falls, Havasu Canyon, Arizona (AZ), USA

Change is a constant in nature… as contradictory as that may sound. These beautiful falls in Havasu Canyon are no longer flowing. A flash flood in 2008 changed the landscape irrevocably. But there’s good news too. The sudden change in flow created two new waterfalls in the area! I can’t wait to return to photograph the area again!

I used the small ridge in the foreground as a leading line to direct the viewers attention to the falls. It was a partly-cloudy day, so I waited for the sun to go down behind the mountain before taking this shot. I used a circular polarizer to cut through the glare and bring out the rich colors in the water.

Light and Layers

Varina Patel —  February 28, 2013

Akaka falls is located just North of Hilo on the Big Island of Hawai’i. It’s a gorgeous location and well worth the short hike… plus a couple bucks to park and use the trails. When we arrived at the falls, it was bright and sunny. The ferns were brightly lit, but the base of the falls and the left wall of the canyon were in deep shade. But I’d been watching the sky all morning, and I knew that we had enough big clouds in the sky to make the photo work. I set up my camera and tripod (we were testing Induro’s awesome CT113′s that week), and waited until a cloud blocked the direct light from the sun. Then, in that softly filtered light, I took my shot. But I still needed to bracket because the shadows were much deeper down in the valley – and the water was very bright. I took a second shot to expose correctly for the dark shadows, and a third to expose for the bright water.

Once I got home, I opened up my files and got to work. You can see the layers I used in the screen shot above. I stacked my images, and used my Intuos graphics tablet and stylus to draw simple selections. I also made slight curves adjustments to ensure that the layers looked natural together. My goal was to ensure that the scene felt natural, and that details were visible in dark and light areas alike.

A Few Simple Tips:

  • Photograph waterfalls on cloudy days, or wait for a cloud to pass over the sun. Soft light is great for waterfall shots.
  • Check to make sure you’ve captured the details you want in both the highlights areas and the shadows. You may need to bracket to get all the detail you want.
  • Use a tripod when you shoot. Our Induro’s come with us wherever we go. We often use long shutter speeds when we shoot waterfalls. I used a 0.5 second shutter speed to get the soft blur I wanted for the water in this shot.

What other tips can you share for shooting Waterfalls?

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The Color of the Glacier

Jay Patel —  December 24, 2012

The first few times I visited St. Mary’s Falls, the water level was too high and foaming water hid the brilliant colors. During our last workshop in Glacier National Park, the water level was just right.

It was partly cloudy that day, and I waited for a cloud to soften the light from the sun. I used a circular polarizer filter to cut through the glare on the surface of the water and bring our the rich colors. You might think that even lighting like this would be just perfect for getting a shot like this right in-camera… but life is never quite that easy. I used Layers & Masks in Photoshop along with our iHDR workflow to get the exposure just right in every part of the image.

Composition: Why Size Matters

Jay Patel —  October 29, 2012

If you have ever taken photographs in a forest, you know that it can be challenging to find a good composition in a cluttered environment. One of the techniques we use for cluttered scenes like these is to isolate elements by size. This helps them stand out against a cluttered background, and clearly identifies those elements as “more important” than smaller elements within the frame.

Take a look at the above photograph of Ponytail Falls in Columbia River Gorge (Oregon). I composed the photograph so that the waterfall and the foreground trees appear to be larger than the rest of the elements. In doing so, I was able focus the attention of the viewer on these three elements.

Here is another example from the Hoh Rain Forest in Olympic National Park (Washington). Here, I have used size to isolate the old tree and the two trees leaning towards it. Because of their size, they stand out in the composition, and the viewers attention is focused on them.

To learn more about composition and shooting waterfalls check out eBooks below:

Alive

Varina Patel —  July 10, 2012

Last time we visited Columbia River Gorge, +Jay Patel met up with +Brian Matiash, +Nicole S. Young, +Patricia Davidson, and +Michael Riffle. What a fantastic group of photographers! That’s what I love about Google+. I’ve met so many incredible people in real life after getting to know them online. I’ve been in online photography forums for years – posting, commenting, moderating – and yet, I met just one or two people face-to-face. Something about Google+ – the incredible sense of community, the interface that encourages long discussions, the easy-to-manage circles – builds connections like no other social forum I’ve joined. It’s great! Anyway… we all got along famously, and I had way too much fun. Can’t wait to do it again. :)

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St. Mary’s Falls is a popular tourist destination and can be accessed via a short hike from Going-to-the-Sun Road in Glacier National Park (Montana). These magnificent falls are often flowing at their peak in the summer, and the high water levels can obscure the colors you see in this image. Later in the summer, the water levels go down, and the brilliant red rocks underneath are revealed. I took this photograph during our Fall 2011 workshop.

As always, these images are provided for personal use as computer wallpaper or backgrounds ONLY. Copyright belongs to the photographer,and photographs cannot be used, redistributed, or recreated in print or on the web or on any other medium without written permission from the photographer.

St. Mary Falls, Glacier National Park, Montana (MT), USA

Here is a photo of St. Mary falls in Glacier National Park. You can see exquisite details and vibrant colors in every part of the image. But did the image come out looking like this, or did we have to make adjustments to the original? Most landscape photographs require some amount of post-processing for a natural look, and this photo was no exception. I made selected adjustment to the image using layers and masks in the photograph. The video below explains the adjustments I made and why I felt they were necessary.

Layers and Mask are valuable tools that have the potential to dramatically improve your photography. To learn more about Layers and Mask check out our webinar below:

Capturing a broad tonal range in landscape photography often poses a challenge – even for the most experienced photographers. Today, a lot of us deal with the problem by bracketing and using HDR software or manual blending techniques to blend images later. But, there is a simpler way to eliminate the problem entirely… wait for the right lighting conditions. Mid-day light tends to be harsh – so you have to deal with harsh shadows and blown highlights. Early morning or late evening light produces a much narrower tonal range – and overcast skies soften light even further. In many cases, your camera can easily handle that compressed tonal range. If you want to capture an image in-camera… and avoid using software to blend images… wait to take the photograph when the light is soft and even.

Sol Duc Falls, Olympic National Park, WA

I took this photo of Solduc falls (above) in Washington’s beautiful Olympic National Park early in the morning – well before the sun was high in the sky. The very soft light allowed me to expose every part of the image properly without having to resort to bracketing or targeted blending to bring out the details in the water. I could have created an equally effective image under overcast skies.

Sol Duc Falls, Olympic National Park, WA

Notice the highlights and shadows in the second photograph. Harsh, direct sunlight creates harsh highlights in the bright areas, and the dark shadows lack any detail at all. Although the rainbow is pretty, the unappealing light is more than the camera could handle… so the image doesn’t work.

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