Archives For patel

Havasu Falls, Arizona

Varina Patel —  May 17, 2013

Coloring Book

Map: Havasu Falls, Arizona

Havasu Falls is incredible. The waterfall and its turquoise pool are highlighted against a backdrop of rich orange sandstone. On this particular evening, the sunset painted the sky in shades of pink, purple, and blue. The colors feel as thought they could have been chosen from a box of crayons by a child who didn’t care about the “real” color of things… so I titled this one “Coloring Book”. But it isn’t imaginary. It’s quite real. And truly beautiful.

Getting here is tough. You won’t be driving to the campgrounds. The nearest road ends 11 miles from the village of Supai, so you have three options. You can hike, go on horseback, or take a helicopter. We carried our packs down into the canyon via a series of rough switchbacks. It’s a difficult path, but once you reach the bottom, you can follow the canyon towards the village. You’ll need a permit to camp here, and you can get all the information you need at: http://www.havasupaifalls.net/

We stayed for three nights before packing up and heading back home. Keep in mind that you’ll be making that final climb after a long hike, so be sure to bring enough water and conserve your energy for the final push. The website offers this advice…

“The hike is a moderate difficulty hike, 11 miles from Hilltop to Campground. Temperatures in the summer can exceed 110 degrees, and there is no water available on the trail until you reach Supai at about 8.5 miles. Know what your body can handle, and pack accordingly.”

Brent Mail

We had a great time speaking with Brent Mail about everything from RAW and JPG files to shooting lava on the Big Island of Hawaii. You can check out the podcast and a written synopsis of the interview at Brent Mail Photography.

Challenges

Varina Patel —  May 10, 2013

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People ask me all the time about the challenges of my career choice… and there are many. From difficult terrain with a heavy pack on your back to ridiculous weather conditions… and so much more. But all those challenges pale in comparison to being a parent. Don’t get me wrong – I love every part of it… even the stuff that drives me nuts.

When I’m on location, I’m always ready to drop everything and head back home in case of an emergency. Scheduling an upcoming trip feels like a bad comedy… trying to work around soccer games, theater productions, doctors appointments, and parent-teacher conferences isn’t easy. Of course, getting a break from the kids – a few days in the wilderness somewhere – is a treat. But coming home is even better. Every single time.

So, I don’t talk about my kids on my blog very often (I know this isn’t what you’re here for), but today I just want to take a moment to let you know that my kids are amazing. Each and every one of them.

I love you guys! Don’t forget to brush your teeth, and watch out for falling rocks! ;)

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Flower Portraits

Varina Patel —  May 7, 2013

Touched with Light - Varina Patel

Photographing flowers isn’t as easy as it looks. Getting close enough to the ground is a challenge in itself. I use a shortened center column on my Induro CT113, and I spread its lets out nice and wide. The small image below shows how low I can go with that setup… and I can actually turn the center column upside down if I want to go even lower! I can actually suspend the camera (upside down) less than an inch above the ground if I need to.

Lanai Kai, Oahu, Hawaii (HI), USA

The real trick with flower photography is finding the right angle. I usually take my camera off the tripod and look through the view finder in search of the best angle and composition. Once I’ve found my angle, I set up the tripod and make whatever adjustments I need to get the camera right where I want it.

Trillium - Varina Patel

Sometimes I want to be directly on top of the flower, looking straight down. At other times, I want to be on the same level with the flower itself.

Columbine - Varina Patel

Of course, I’m also acutely aware of the background in each photograph. I like to use a wide aperture to produce a very narrow depth of field. That way, the flower is in sharp focus, but the background is free of distracting elements.

Tom McCall Wilderness Area, Columbia River Gorge - Oregon, USA.

Shooting outdoors usually means you have to deal with wind and light, too. When wind is an issue, I’ll use a higher ISO to get a faster shutter speed. When it’s bright and sunny, I might use a diffuser to soften the light, or a reflector to bounce light onto my subject for a bit of fill light. I sometimes use a diffuser and reflector together to get the look I want.

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I love capturing the unique “personality” of a flower in its natural habitat. Can you share any tips for photographing flowers? I’d love to hear about the techniques you are using to capture flower portraits.

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Today’s featured print is this unique shot from The Big Island of Hawaii. Right now, you can purchase a 24×36 inch print on beautiful Archival Quality Metallic paper for $265.00. Of course, you can choose from all kinds of different sizes and papers – or you can choose canvas or metal prints.

Kilauea Lava Flow, Big Island - Hawai'i, USA

I took this shot just after sunset on the Big Island of Hawaii. As the lava flowed into the water, it created great bursts of steam that rose as dramatic swirls. The reflected light from the lava itself added to the incredible, otherworldly effect. I used a long exposure to capture this chaos of  light and shadow.

Purchase a Print

High school students ask me if they should go to art school… with hope in their voices. Their parents ask me if I think art is a practical choice for a college major… with skepticism. And as a kid who dreamed of being a photographer – and a parent who knows that making it in the art business is tough… I’ll try to answer the question honestly.

This is something I’ve thought about quite a lot. I’m a professional photographer, and it’s a tough business. It’s incredibly competitive – and just having talent in art isn’t enough. I started out as an art student – studying photography and painting and drawing… and all the other requirements for a degree in the liberal arts. A student who graduated with a degree in art usually gets a basic education in math, science, and language as well. I don’t know of any schools that don’t require a well-rounded collection of classes. But in the end, I’m glad I decided to change my major.

I eventually earned a degree in information technology. I know – that seems like an odd choice for someone who was already building a photography business. But, it was definitely the right thing for me, rather than going through art school. See, the thing is, you don’t need a college education in order to learn to make great photographs – and there are so many ways to learn. Spending time working as a photography assistant, going on a workshop or two, shadowing a pro, and doing lots of research online… all of these are great ways to learn. But building a business? That’s an entirely different thing. If you want to be successful – to make money from your art, you need a different kind of knowledge.

The problem I’ve seen with students who finish college with a degree in art or photography, is that they feel lost once they are done with school. A business degree would help them start and run a business. A marketing degree would help them market their work. A degree in information technology (like mine) would let them build their own website, handle e-commerce, and understand the software they use for post-processing. A degree in language arts would help them write great articles so they can get published in magazines or write books. See where I’m going with this? Most art students know how to make art… but being a professional photographer is about SO much more than that.

And of course – there’s always the fact that photography is an extremely difficult world to break into. The odds of being able to make a living from it are small – so having a degree in something more “practical” is a great idea. But please don’t be discouraged! If you are determined and willing to work very hard, you can make it as a photographer. I know that’s true, because I did it myself. But remember – part of “making it” is being practical about the choices you make along the way.  The ones who succeed are the ones who understand that being a professional artist takes a lot more than just artistic talent.

If you do decide to major in art, make sure the school you’ll be attending has a well-rounded program. In addition to the classes you need for your major, look for classes that teach important skills like marketing, business, writing, computers, and so on. You might also want to consider a double major, or minor in art while concentrating your studies in another field. While you are in school, look for internships and find photographers who will let you shadow them while they work. Make connections with other photographers who know more than you do. Ask a million questions… and take note of how others are running their businesses, how they make money, how they market their work, and how they become successful. Watch for and learn from their mistakes, too… it’s always better to learn from other people’s mistakes than to make your own. ;)

For those of you who dream about being professional artists… you can do it if you are willing to work for it. ;) Good luck!

And for all of you – what advice can you offer to someone who wants to be a professional artist?

To learn more about photography check out our eBooks below:

Workflow Series Collection

Apprentice Series Collection

Pay Attention to ME!

Varina Patel —  March 7, 2013

Tips for making a single element stand out in your photographs. ;)

When you shoot, do you take a moment to consider the most important element in your photograph? For this shot, I wanted to get in really close – and show off the beautiful, reflective droplets clinging to the leaf. I also wanted a very clear point of interest. So, I started looking for a single element that would work well for me. This little droplet was perfect. It stands out because it is much larger than the other droplets, and because it breaks the line that runs through the lower third of the image – between the leaf and the background.

Hakalau - Big Island - Hawai'i, USA
Here are a few tips for isolating a single element for impact.

1. You can blur the background to allow sharply focus foreground objects stand out. Blurring the background will also help obscure potentially distracting elements, which can pull the eye away from your point of interest.

2. Look for contrast. In this case I’m using contrast of size. The large drop stands out because it is so much larger than all those little ones. You can also use contrast of shape, color, tone, and so on.

3. Break the pattern. All those tiny little droplets make a pattern in this photograph – but I’ve broken that pattern. Twice. First, I positioned the leaf so that it’s edge cuts through the lower third of the photo. That brings your eye to the lower area right away. And then, just to be sure I have you where I want you, I’ve broken the pattern again by including the large droplet in the frame.

What techniques do you use to help isolate a single element within the frame? There are thousands of ways to do this. I always enjoy the challenge.

To learn more about photography check out our eBooks below:

Workflow Series CollectionApprentice Series Collection

The Dog

Varina Patel —  March 5, 2013

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This is one of the many dogs living in Granada’s barrios. I loved her plaintive look and the stillness of her pose. She looks hungry and tired… and I’m sure she is. The barrios are a pretty unforgiving place to live.

Empowerment International: www.empowermentinternational.org
The Giving Lens: www.thegivinglens.com

Light and Layers

Varina Patel —  February 28, 2013

Akaka falls is located just North of Hilo on the Big Island of Hawai’i. It’s a gorgeous location and well worth the short hike… plus a couple bucks to park and use the trails. When we arrived at the falls, it was bright and sunny. The ferns were brightly lit, but the base of the falls and the left wall of the canyon were in deep shade. But I’d been watching the sky all morning, and I knew that we had enough big clouds in the sky to make the photo work. I set up my camera and tripod (we were testing Induro’s awesome CT113′s that week), and waited until a cloud blocked the direct light from the sun. Then, in that softly filtered light, I took my shot. But I still needed to bracket because the shadows were much deeper down in the valley – and the water was very bright. I took a second shot to expose correctly for the dark shadows, and a third to expose for the bright water.

Once I got home, I opened up my files and got to work. You can see the layers I used in the screen shot above. I stacked my images, and used my Intuos graphics tablet and stylus to draw simple selections. I also made slight curves adjustments to ensure that the layers looked natural together. My goal was to ensure that the scene felt natural, and that details were visible in dark and light areas alike.

A Few Simple Tips:

  • Photograph waterfalls on cloudy days, or wait for a cloud to pass over the sun. Soft light is great for waterfall shots.
  • Check to make sure you’ve captured the details you want in both the highlights areas and the shadows. You may need to bracket to get all the detail you want.
  • Use a tripod when you shoot. Our Induro’s come with us wherever we go. We often use long shutter speeds when we shoot waterfalls. I used a 0.5 second shutter speed to get the soft blur I wanted for the water in this shot.

What other tips can you share for shooting Waterfalls?

To learn more about photography check out our eBooks below:

Workflow Series Collection
Apprentice Series Collection

Peek-a-Boo

Varina Patel —  February 27, 2013

Barrios - Granada, Nicaragua

These little ones absolutely loved being in front of the camera. Each time I took a shot, they’d come running over to take a look at the back of my camera. They giggled at every photograph, and they were loving the extra attention. Of course, I was loving it as much as they were. ;)

Smiles are always precious… but maybe more so when you know how hard these kids have it. They live in the slums of Nicaragua. Their families struggle every single day. Nicaragua is the poorest country in Central America, and many families are living on less than a dollar a day.

When it was time for us to leave, the children followed us down the road – waving and calling out to us. And then they headed back home for dinner… food that their families had worked hard for… but probably wouldn’t be enough to fill everyone up.

Empowerment Internationalempowermentinternational.org
The Giving Lenswww.thegivinglens.com