Archives For nature photography

We plan our landscape photography outings so that we maximize our chances of getting the best weather patterns and the right seasons. But things don’t always go according to the plan. Experience has taught us to be flexible and open to new ideas.

I first visited Maroon Bells in 2007. I used an interesting root structure beneath the surface of the lake as a foreground object in the photo above. Five years later, in 2012, we returned to the lake again. This time, we discovered that the lake had shrunk dramatically because of a long summer drought. It no longer reached the grassy shores we remembered from our previous trip. Instead, the lake was surrounded by mud and rotting wood. The brilliantly colored moss that was growing under water in 2007  had died off. Here’s a shot of the same roots I photographed five years ago. The difference is stark.

Though the banks of the lake were uninspiring, I still felt that there was incredibly beauty to be captured in this place. I focused my attention on the creek and the mountains behind me. I waited until the clouds were lit up by the evening light and captured the photo below less than 50 yards from the roots in the first two shots.

I was able to come away with a photo that I like because I was willing to be flexible and look for alternative shots. So next time you are faced with unexpected conditions, don’t give up.

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Price:  $6.00

Format:  eBook, PDF format, 29 pages

Size:  16.4 MB

Requirement:  Adobe Acrobat Reader 9.0 or greater

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Leading lines are one of those elegant elements of an effective composition that lots of photographers are eager to use. Leading lines direct the viewer’s attention through a photograph or toward an object of interest. But finding leading lines in nature is not always that easy… or is it?

With a bit of creativity, you can come up with all kinds of examples of leading lines in nature. The video below show how I have used a variety of elements in nature to create leading lines. These elements include:

  • Rivers
  • Trails
  • Erosion patterns on sandstone
  • Bubbles on the surface of water
  • The edge of a sand dune
  • Long lakes – with the help of a wide angle lens
  • The line between sand and water
  • Salt formations in the desert
  • Mud patterns on a canyon floor

Next time you are in need of a leading line, look around you and remember to think outside the box. You’ll start seeing leading lines that others might never notice.

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Featured Download: Aspen Glen

Varina Patel —  September 7, 2012

I took this shot during a rare sunny moment on a stormy autumn day. We spent the day exploring Colorado’s shockingly beautiful Snowmass Wilderness. It rained most of the day, and we took lots of photos of drifting fog and dripping grasses. When the storm clouds began to stand aside, I positioned my camera near this aspen glen. I wanted to show the beautiful texture of the bark, so I got as close as I could to the pretty trees in the foreground. The sunlight is passing through the leaves in front of me, making them seem to glow in this lovely light.

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As always, these images are provided for personal use as computer wallpaper or backgrounds ONLY. Copyright belongs to the photographer, and photographs cannot be used, redistributed, or recreated in print, on the web, or in any other medium without written permission from the photographer.

When I teach photography to beginners, I try to use clear visual examples to help make a point. So, when I’m in the field, I’m often thinking about how I can use an image to help explain concepts… either here on my blog, or in future eBooks. Here’s an example.

The technical explanation for adjusting aperture settings is pretty basic… the wider it gets, the narrower your depth of field. But, many students have a hard time visualizing the idea of depth of field. So, during a recent trip to Oregon, I took two photographs in a lovely, open field. This flower called attention to it’s tiny self with a burst of color. For the first shot, I used an aperture of 3.5 (f/3.5). Notice how soft the background looks. Only the flower itself and a few blades of grass are in focus.

Tom McCall Wilderness Area, Columbia River Gorge - Oregon, USA.

Now take a look at this next photograph. I took this shot at f/16. This is a much narrower aperture, and the result is obvious. The depth of field is much wider. Now, you can see lots of leaves and grass in the background, and there’s a lot of brown as well. All those details are distractions – calling for your attention and pulling it away from the flower. You may also notice that I’ve lost some of the sharp details on the flower itself. That’s part of the trade-off when you are working with a narrow depth of field. I love the effect – but  you may wish to choose an aperture in between f/3.5 and f/16 two to get a little more sharpness on  your flower, and a little less softness in your background. (Or, you could stack images in Photoshop if you want to have your cake and eat it too!) The choice is yours!

Tom McCall Wilderness Area, Columbia River Gorge - Oregon, USA.

In this case, I prefer a wider aperture – and the resulting narrow depth of field. The soft background leaves the image feeling very soft and dreamy – and it serves to eliminate a lot of distracting elements.

Of course, the discussion of aperture and depth of field is a whole heck-of-a-lot broader than this – but these two photographs make a great jumping-off point for a detailed discussion of basic concepts. Heck – maybe you’ll see these shots in one of our eBooks someday! ;)

To learn more about composition and colors check out our eBooks below:

The Workflow Series

Jay Patel —  August 9, 2012

Price:  $21.00 (10% Discount)

Format:  eBooks, PDF format

Collection:  Waterfalls, Coastlines, Mountains, Details & Macro

Requirement:  Adobe Acrobat Reader 9.0 or greater

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The Apprentice Series

Jay Patel —  August 6, 2012

Price:  $27.00 (includes a 10% Discount)

Format:  eBooks, PDF format

Collection:  Learning to See, Vibrant Colors, What the Heck is a Histogram?

Requirement:  Adobe Acrobat Reader 9.0 or greater

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The Complete Collection

Jay Patel —  August 2, 2012

Price:  $70 (A $79 value!)

Format:  eBooks, PDF format including some Flash videos

Collection: Every eBook in our Collection

Requirement:  Adobe Acrobat Reader 9.0 or greater

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I took this shot in the Columbia River Gorge – in between bouts of stinging hail and pouring rain.

Are you willing to go out and shoot in wet conditions? We often shoot in the rain – and we’ve been out there in some pretty nasty weather… thunderstorms, hail, sand-storms, windstorms, snowstorms… nasty weather can make shooting difficult. But unless the weather is dangerous, we don’t mind shooting in it. It’s about being prepared.

High winds, rain, and ocean spray made this shot from Iceland particularly difficult to capture.

Please don’t take this as an invitation to go out when the weather is dangerous… lightening can be deadly, and so can serious storms. Please stay in a safe place if there are tornado warnings, hurricane warnings, or other hazardous conditions. We’ve booked it out of locations that we felt could be dangerous more than once – because of the possibility of flash flooding, trees that might come crashing down on us (no kidding… it happens more often than you think!), high waves, and more.

Each wave splashed my lens, and rain made it difficult to stay dry while we were shooting in Glacier National Park… but that alpenglow made it all worthwhile!

But when safety is not a concern, we often shoot in nasty weather. Here are some tips that can make a real difference when you are shooting in difficult weather.

  • Use a waterproof cover to protect your camera while you are shooting. Our cameras are weather-sealed, but they certainly aren’t entirely waterproof. We use simple waterproof covers with elastic to keep them in place. Nothing fancy. If you don’t have a cover, use a plastic bag with a hole cut from one corner for the lens to poke through. It works just a well.
  • Carry a waterproof cover for your camera bag as well. It will protect your gear and your bag from the elements. When you are back indoors, be sure to open up your bag and let everything dry out. Moisture can seep in over time, and leaving the bag closed means it will take a lot longer to dry out. Even if your bag is dry inside, your camera strap and other gear may collect water while you are shooting. When you put it back in the back, that water doesn’t evaporate quickly.
  • Always carry waterproof and windproof gear. Jay and I both carry a waterproof jacket and waterproof pants in our camera bag. They fit neatly into the front pocket, and they stay there all the time, unless we are using them… or drying them out. ;) We use them for rain, of course – but we also use them a lot when it’s windy. A wind-proof layer makes a huge difference, especially when it’s cold. We can stay out a lot longer if we are protected from the wind than we could otherwise.
  • Neoprene shoes don’t keep your feet dry – but they do help keep you warm when you are walking in cold water. We spent three house walking in the Paria River in Utah one winter. With each step, our feel broke through three layers of ice before plunging into frigid water underneath. Or feet were warm and comfortable.
  • Wear fleece underneath. Fleece makes a great warmth layer – and it holds less than 1% of it’s weight in water, so it doesn’t get soggy or heavy when you are working in the rain. But it doesn’t block wind well, so wear it underneath your waterproof/windproof layer for best results. When we went for that hike in the Paria River, we wore fleece pants underneath a waterproof layer. They were in the water with every step, but they didn’t get waterlogged, and they helped capture the heat from our bodies.
  • Wear fleece OVER a pair of quick-dry pants. Sounds silly, I know. But the fact is that in many cases, we only need that warmer layer in the morning and evening. We often deal with freezing conditions in the morning, and then end up having to remove layers later in the day. If your quick-dry pants are underneath your fleece layer, you get the benefit of the warm layer, but you can also remove it quickly. You’ll be ready to keep going in your quick-dry pants all day – and when it gets cold again in the evening, you can put that fleece layer back on and you are good to go.
  • Quick-dry pants? Definitely! The first time I visited Columbia River Gorge in Oregon, I didn’t own any quick-dry pants. I waded through the river to get to a waterfall, and ended up knee-deep in the water. Wet jeans are very heavy, and they take forever to dry. By the time we returned to the car, I was freezing cold. Jay had a pair of quick-dry pants. His were dry within about 30 minutes of climbing out of the river – and he was comfortable and warm. Now, I have several pairs, and I always use them when I’m on location.
  • Carry chemical heat packs. We keep a couple of these in our pockets when we are out in the cold. In between shots, we can warm our hands by sticking them in our pockets – and we can help extend the life of our batteries, by putting our camera inside our jackets. You can also keep one in your camera bag to help keep your batteries from draining because of the cold. You can put them inside your shoes if your feet are cold, too. I even put two inside my hood by my cheeks once. My face was getting really cold in the wind, so I cinched my hoods nice and tight, and placed heat packs between the two layers against my cheeks. I wouldn’t recommend putting these directly on your skin – especially when you are very cold. A layer of fabric will protect your skin from direct heat, and help to radiate the heat more evenly.
  • And what about post-production? Be ready to clone out water droplets! We use a Wacom graphics tablet and the power of Photoshop to make short work of water, dust, dirt, sand… you name it!

It was REALLY cold out there! But it doesn’t get much prettier than Bryce Canyon after a snow storm!

The photos on this page were all taken in difficult conditions. But because we were prepared, we weren’t uncomfortable. Take care of yourself and your gear, and you’ll be able to shoot even when the weather isn’t cooperating! Have fun – and stay safe!

This one is from our Photo Walk at San Gregorio Beach. It was cold and windy – and the water was chilly, too! Brrr!

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This shot is from our wonderful  2008 Yellowstone vacation with the kids. So, this featured download is a tribute to summer…

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Our trip to Yellowstone was a fantastic experience for the kids – and it was my first trip to the park as well. This shot doesn’t show the geysers for which the park is best known – but for me, that’s not important. It’s a little slice of summer.

Do you remember how much you loved summer when you were a kid? My childhood was all about playing in the fields behind our home in northern Idaho – and later, in the creek behind our house in Ohio. In Idaho, my friend and I would climb under the barbed wire fence (ouch) and catch frogs in the pasture, or ride our bikes to the lake and watch the turtles. In Ohio, I climbed trees, caught crawdads, and built dams in the creek… and when I was older, I went hiking or canoeing as often as I could. For me, summer is all about the great outdoors.

We try to pass on our love of nature to our children – we take the kids canoeing every summer, and fishing too. They spend hours catching crawdads and minnows and playing in the river near our home every summer. Having kids makes it easy to keep in touch with your inner child, too.  Have you caught a crawdad with your bare hands recently? Built a big fort out of sticks and brush? Saved a butterfly from a spider’s web? Built a canal out of stones along the river’s edge? I did all those things last summer – with my children.

I have to say – this was a fun post to write! :) What do you remember from your childhood summers? I’d love to hear it!

Summer is good for the soul. Enjoy it while it lasts!