Archives For GND Filters

The Storm at Twin Lakes

Jay Patel —  January 25, 2013

I love going to Colorado in the Fall. This time, we ran head on into a nice, big storm. This system created alternating periods of rain and calm, and provided us with an opportunity to capture fall colors under some great weather conditions. The aspens in this shot glowed gold from the soft light coming from behind me as the dark heavy rain clouds gathered in the distance.

I filled the frame with complementary colors: blue and yellow. In order to do this, I tried to avoid distracting objects in my frame. Because the horizon was uneven, I could not effectively use a GND filter, so I bracketed the shots and combined them using manual blending (iHDR workflow) in Photoshop.

Rainbow in Yellowstone

Varina Patel —  September 14, 2012

I took this shot in Yellowstone National Park near the end of a trip with out kids. Storms had been moving through the region all afternoon and evening, and we saw four or five rainbows in different locations as we drove along. As the sun neared the horizon, we pulled over and parked the car near a beautiful meadow. The kids listened to music in the car, while Jay and I took a few shots. We were rather glad that the sky didn’t do this every evening – with the kids along, we wouldn’t have been able to shoot regularly. :)

I shot with a GND filter. The GND let me capture the detail in both the shadows on the ground and the highlights in the sky. I nearly always use a GND filter to shoot sunrise and sunset. The dynamic range is simply to broad to be captured otherwise.

When the GND Doesn’t Help

Jay Patel —  July 22, 2011

Read Between the Lines - Varina Patel

Take a look at this shot of the Toadstool hoodoo from Grand Staircase-Escalante National Monument in Utah. The light was really nice – the sky was changing color a few minutes before sunrise, and very soft morning light kissed the orange rocks in front of me. The sun was getting ready to rise over my left shoulder – and the scene was pretty evenly lit, since I wasn’t shooting into the sun. The problem was that I couldn’t capture the entire range of light in a single frame without a Graduated Neutral Density filter… and I didn’t want to use one.

Why not? Well, as you can see, the horizon in this shot is not straight. GND filters are perfect when the horizon is relatively straight. We use them for sunset or sunrise shots – where the sky is bright and the ground is dark. The filter can slide up or down to allow the photographer to adjust for the position of the horizon. They are incredibly useful little buggers if you enjoy landscape photography.

Unfortunately, in this photograph, the line between sky and ground isn’t straight. A GND filter would have made a dark line across the top of the hoodoo. No good. So I bracketed exposures instead. I took two photographs from the same spot – using a remote release to make sure the camera didn’t move at all between exposures. The first shot was exposed correctly for the sky – so the sky looked great, but the ground was too dark. The second shot was exposed correctly for the ground – which meant the sky was too bright.

I used layers and masks in Photoshop to combine these two images and create a final photograph that represents the scene as I remember it.

Interested in learning more about blending images manually in Photoshop? Check out our webinar recordings.

We get this questions frequently – Do we prefer to use GND filters in the field, or high dynamic range (HDR) processing in Photoshop? Our answer is always pretty much the same. The important thing is to understand the advantages of each option, and to know when to use one of the other – or both.

Each option has it’s place. We teach our students how to use GND filters during our on-the-ground workshops… and we teach our manual HDR blending techniques in our webinars.

These two images of Mount Adams Wilderness in Washington were taken to show a quick comparison. Jay used our manual “Intelligent High Dynamic Range” technique – dubbed iHDR somewhere along the line. He blended two bracketed images using layers and masks. The goal when we’re blending images is to preserve the natural shadows and all the detail in the highlights. In the end, we want to create an image that is as close to our memory of the reality of the scene as we can bring it.

Trout Lake, Mt. Adams Recreational Area, Washington (WA), USA

The second image was taken in exactly the same spot – just a few minutes earlier. For this shot, Jay used a 3 stop Graduated Neutral Density (GND) filter. The filter successfully brought down the highlights in the sky, so that the camera could capture the entire dynamic range in just one shot. You may notice that the trees at the base of the mountain are much darker in this image. That’s a result of the use of the GND filter.

Trout Lake, Mt. Adams Recreational Area, Washington (WA), USA

In this case, the GND filter worked well to reduce the brightness at the top of the image, but it also darkened the trees more than we’d like. For this particular image, the bracketed and blended shot is just a bit closer to the reality of the scene that evening. In the end, it’s all about understanding the options that are available. Take the time to experiment with GND filters, and HDR processing. Find out what works best in any given situation – and most importantly, make the effort to understand WHY that approach is best.

To learn more about our iHDR process check out our recorded online webinar below:

 

iHDRrecordingsFormat: Streaming Recorded Session using Cisco’s Webex Format, Available for at least 30 days after purchase

Price: $25 Per Session

Fundamentals & Equipment:
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Histogram & Raw Processing:
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Layers & Masks:
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iHDR Workflow:
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