Archives For Jay Patel

Echoes in Yellowstone

Jay Patel —  May 15, 2013

Lower Geyser Basin, Yellowstone National Park Wyoming (WY), USA

Here is an image from a workshop in Yellowstone National Park (Wyoming). This was the first day of the workshop, and we had gathered at Mid Geyser basin to practice using GND filters and work on composition.

This shot works well with a GND filter, since the horizon is nice and straight… but instead of using my GND, I bracketed 3 images and then blended them later using our iHDR workflow. Why? Because I let one of our students use my GND filter. :) I prefer to get the shot right in-camera if I can’t, but in a case like this, bracketing works just fine.

Punch Bowl Falls, Columbia River Gorge, Oregon (OR), USA

Should I quit my job and become a full-time photographer?

If you have ever asked yourself this question, you are not alone. Photography usually starts out as a hobby, but after a while, lots of passionate photographers start wondering if they could make it as full-time professionals. So, here are some questions to help you decide whether or not a full-time photography job is for you.

Are you good enough?

One of the first things you should do to a look at your portfolio. Are you good enough to a make a living doing this? That’s not an easy questions at answer, but it’s important. Facebook and other social networking sites make it easy to get lots of accolades. That’s great motivation and it makes you feel good – but positive comments from people who care about your feelings aren’t enough. They aren’t a true indication of your talent. Real critiques and evaluations are hard to come by on social media. Do you think your friends and family would feel comfortable telling you the truth – even if if meant they might risk damaging their relationship with you? And beyond that – are they qualified to know the difference between a good photograph and a mediocre one?

One way to find out if you have the necessary talent is to compare your work with other professional photographers in the field. Be honest with yourself. How does your work match up with theirs? You don’t have to be the best out there, but your work should be competitive enough to provide an attractive option to your customers.

Business or Pleasure?

Varina and I are both Wilderness and Landscape photographers. When other photographers look at our images, they are convinced that we have a dream job… and for all practical purposes we do. But, photographs alone don’t tell the whole story. The graphic below shows an estimate of our business needs – and the perception of others who think photography is all about traveling to exotic locations.

PowerPoint Presentation

In reality, taking photographs is a small part of our business. Other business activities dominate day-to-day activities. As a photographer, you will probably have to do these activities yourself… at least until you are making enough money to hire someone else to do them for you.

Just as in any other profession, there is often a difference between what you really like to do, and what you can get paid to do. You might hope to be a landscape photographer, only to find that you can’t make enough money unless you shoot weddings, senior portraits, or products as well. There are going to be some tough decisions as you make a transition into full-time photography, so prepared to face the facts of running a business.

Will it kill my passion?

So, let’s say you really are good enough to become a full time photographer – and you have the skills and patience required to run your own business. In that case, there’s one more thing you should consider. Will turning photography isn’t a money-making venture kill your passion for it? Aside from the physical work, being a full-time photographer may take an emotional toll as well. It will take time to establish yourself, and you might not be as successful as you’d hoped. It is very possible that selling prints, or filling workshops, or dealing with unruly wedding parties may make photography  feel like a chore. If you are struggling to keep a business running, will you be as excited about picking up your camera and heading outdoors when the weekend comes around? Or will you be relieved to put the camera down?

For Varina and I, photography is a dream job… but it sure as heck isn’t easy. We have successfully navigated the turbulent waters of growing our business, and we’ve settled into a fairly comfortable routine that works well for us. There are still days when photography feels more like a chore than a dream job, but we still grab our cameras and head out into the wilderness every chance we get.

Are you ready to let go of the security of your day job and take the plunge? Or have you done it already? We’d love to hear your stories and advice!

To learn more about photography check out our eBooks below:

Complete Photography eBook CollectionPhotographery eBooks: Apprentice Series Collection

The Shelter

Jay Patel —  May 8, 2013

Hilo, Big Island, Hawaii (HI), USA
Sometimes, unexpected conditions help me create a unique photograph. While wandering around a local park near Hilo (on the Big Island of Hawaii), we were stunned to see light beams streaming through the branches of this giant tree. The brilliant sunlight was being traced by the mist blowing from the pounding waves a hundred yards away. It was a bright, blue-sky day, but this small section of the park seemed to have its own micro-climate.

I used a small shelter as a point of interest. I often use a man-made structure like this to draw attention in a composition. I used our iHDR manual blending workflow to capture the details in both the highlights and the shadows.

Punch Bowl Falls, Columbia River Gorge, Oregon (OR), USAhawaii_8981_4828

Recently we had pleasure to sit down with Frederick Van Johnson the host of This Week in Photo for a brief interview.  We talked about how we got started in photography, what defines our photographic style and what it takes to balance family life and photography. We love TWIP’s casual interview style and plan to appear on future episodes.

You can listen to the complete interview on TWIP at: http://www.thisweekinphoto.com/2013/twip-302/

To learn more about photography checkout our eBooks below:

Complete eBook CollectionApprentice Series Collection

Dragon’s Tears

Jay Patel —  May 1, 2013

Big Island, Hawaii (HI), USA

There is nothing like being able to walk right up to a lava tube and watch it rupture over and over again right before your eyes. The red hot lava comes flowing out creating some amazing, textures patterns and colors. The heat generated by some of the surface flow is so great that your hands and face start to burn if you get too close… but who cares when you have a camera and tripod in your hands? ;)

This is a composite image created with 3 different photographs – I used Layers and Masks in Photoshop to get the look I wanted. I used parts from different images to replace out-of-focus areas in the original photograph, so that the entire scene would be sharp. I used a long lens to get the shots, and had to move away quickly because of the intense heat.

Cascades at the Bottom

Jay Patel —  April 29, 2013

Baume les Messieurs, Jura-Burgundy District, France

When we photographed these falls, there was so much mist and water flowing that it was very hard to get close without being splashed. I stood in the stream to take the shot, and ended up soaking wet.

I took this photograph on an overcast day with a circular polarizer. You might think this would be an easy exposure – but it wasn’t. All that water ended up being pretty bright – and the deep shade left me with very dark shadows – so the dynamic range was pretty broad. I used our iHDR manual blending workflow to restore the details in post processing.

Spring Bloom

Jay Patel —  April 24, 2013

Redwood National Forest, California, USA

Spring is coming, and the question is – Where should I go shoot next? If you have not visited Redwood Forest National Park (CA) in spring, I would highly recommend you do so. I arrived at the park in pouring rain… and the next day, when I wandered into the woods I was greeted with by thousands of pink rhododendron in full bloom. Gorgeous!

It is difficult to shoot in a cluttered place like a forest, so for me, this was a exercise in composition. I calculated my hyperfocal distance in order to get as close to the flowers as possible so that they would stand out in the image. I selected a patch of flowers surrounded by green to create a fresh spring mood, and to make the flowers even more visible against a complimentary background.

Focus as a Creative Choice

Jay Patel —  April 22, 2013

When I shoot, I pay particular attention to where I am setting my focus. When I’m shooting with a wide angle lens, I use the principles of Hyperfocal Distance to get everything in focus. When I’m shooting with a macro lens, I often use focus-stacking to get around the limitations of a narrow Depth of Field.

California, USA

While it may be technically feasible to get everything sharply in focus, is it always necessary? Or artistically pleasing? Take a look at the image above. For this shot of barnacles, I used focus stacking in an unconventional way. Rather than blending the sharpest parts of a series of images to get everything in focus, I chose to use the out-of-focus parts of each image – creating a soft focus effect around a single sharp barnacle. I also used a lens blur filter and the simple mask show below to further soften the area around that one sharply focused barnacle. As a result, the main subject stands out among other similar subjects.

California, USA

Here’s what a traditionally focus-stacked shot would look like. This image is more about texture and repetition than it is about showcasing a single barnacle.

California, USA

Do you use focus creatively at times? Feel free to share a link!

To learn more about photography check out our eBooks below:

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In the Mood

Jay Patel —  April 19, 2013

Lake Crescent, Olympic National Park; Washington (WA); USA

I don’t typically post black and white photos… but I am intrigued by the world of monochrome images and would like to do more. So, here is one feeble attempt. The mist hanging around lake Crescent that morning was wonderful, and we spent hours photographing this location.

I used a long shutter speed to remove distracting ripples from the water, and then converted the image to black and white with NIK Software’s SilverEFex Pro. My goal was to create a dark, moody scene. Once the conversion was complete, I made targeted adjustment to the highlights and shadows in Photoshop.

Twin Lake Storm

Jay Patel —  April 17, 2013

Twin Lakes, Colorado (CO), USA

While driving to our destination in Aspen Colorado, we took the scenic route through the Twin Lakes region. As we stood there photographing this little spot, clouds started to move in – within 10 minutes, the blue skies were all but covered up by dark clouds.

This is a manually blended image created from 3 bracketed shots using out iHDR workflow. The dynamic range of this photo was extreme, and the horizon was not level – so a graduated neutral density filter was out of the question. I chose to place complementary colors close together to make those brilliant trees stand out. I used a 4-stop neutral density filter and a circular polarizer to slow down the shutter speed.