Badwater Light


Here is an old photograph from Badwater Basin taken in 2004. This was my first visit to Death Valley… but, I would visit the park each winter for the next 6 years. At this time in my career, I had been shooting with a DSLR for about 2 years. I had learned to recognize the importance of getting the right light, but my composition and processing skills left much to be desired.

When and Where?

Death Valley National Park is an incredible place for photography – and Badwater is bizarre and beautiful. The location is easy to find on the National Park map and is easily accessible by car. The best time to photograph this location is either early in the morning or late in the evening. To find pristine salt formation like these, you may have to walk about a mile or so away from the parking lot. It’s worth the effort!

Sanctuary

Post-production work can be just as important as field work – in this case, the range of light, and color balance needed close attention.

This shot is from Antelope Canyon in Arizona. The stunning curves and beams of light in this overhanging slot canyon make it a photographers paradise! Unfortunately, crowds of tourists make photography difficult. Luckily, the tour guides try to give everyone an opportunity to take a few photographs – holding one group back, just around the bend, while another group takes pictures, and throwing sand into the air to make those gorgeous beams of light stand out.

For good pictures, you need a tripod in here. You have to use long shutter speeds to capture a photo without a flash, since it’s very dark at the bottom of the canyon in places. In this case, I needed 1.3 seconds at f/8 – but some photos required 30 seconds or more.

I also chose to shoot at an angle for a more appealing composition… why worry about gravity when the canyon seems not to care. :)

The hardest part of getting this photo right was actually the color balance. There’s a broad range of light, here – and some of the canyon is in shade, while other areas are lit by direct sun. I’ve seen thousands of photographs of these walls – and many of them show deep purple colors alongside bright yellow and orange. But the canyon isn’t purple or yellow. The problem is that it’s tough to get an even color balance for the entire image when the light is so uneven. So, I was very careful about avoiding that purple cast. Are the colors perfect? I doubt it – I guess I’ll have to take a print back to the canyon to compare the colors in person. ;) But it’s as close to my memory of the location as I could bring it.

So, do you agree that post-production work can be just as important as field work? In this case, the image wouldn’t be the same without careful attention to color balance – and also the broad range of light represented here. I’m sure many of you can relate… and I’d love to hear your opinion.

In going back to look at the settings for this photo, I’ve discovered a treasure trove of images I never processed. Time to get back to work!

The Gloaming


I took this shot a few minutes after sunset – and just moments after I dropped and broke one of my GND filters. Ack.

I love the view of the canyon from this location. It’s a long off-road drive to reach this spot – but it’s well worth the bumpiness. Especially when the sky is so beautiful.

Find us on Google Currents!

Big news, Ladies and Gentlemen! We are now live on Google Currents! You can access all our quick tips, questions and answers, tutorials, and our blog directly from the Google Currents app – and optimized for your phone or tablet. To find us, just click on the link below in your phone or tablet browser.

http://www.google.com/producer/editions/CAow5eUT/varina__jay_patel

I’ve been using the Google Currents app since it appeared a couple of weeks ago, and I love it.

Who else is using Google Currents? And how do you like it?

2012 Haiku Diem Calendar


This year, Freeman Ng of Haiku Diem included this image in his 2012 Calendar, along with his beautiful Haiku:

mountains afloat
above the mist like clouds
in a dream

The calendar is now available at http://www.haikudiem.com/calendar2012 in four different versions: US Holidays, UK Holidays, Canadian Holidays, or Blank (no holidays). It’s a real honor to be included along with eleven other incredible photographers: check it out at the link above.

http://www.haikudiem.com/calendar2012/

Online Publication: CameraPixo

Jay’s work was recently published in Issue 15 of CameraPixo Magazine. This issue also features the beautiful work of Elena Kalis, Joel Santos and many other talented photographers. It was an honor to be selected alongside these talented photographers. You can either browse the issue online, or you can download a PDF file (Warning: It is a very large PDF file).

Browse Online: http://photographymagazineontablet.com/camerapixo/online/issue15/#/88
Free PDF Version: http://camerapixo.com/photographymagazine/

We hope you will enjoy the Free Online Photography Magazine.

The Giving Lens Holiday Giveaway

Please take a few minutes to check out Colby Brown’s The Giving Lens Holiday Giveaway. This is such a great way to give back – and I want to make sure that everyone knows about it. Please share this post with your social networks – and encourage everyone to get involved. Just click on the link above to get all the information you need… and maybe win a print while you’re at it!

 

Photoshop Actions

When Jay and I have a series of steps that need to be accomplished in Photoshop over and over again, we build an action. The image you see above has a simple frame around it. If you look at any of my photographs on social networking sites – like Google+ or Facebook – you’ll see the same frame again and again. A few years ago, I built a simple action that would create that frame automatically. So now, every time I finish processing an image, I just click a single button. The image is re-sized, converted to the sRGB profile, framed, labeled, and saved in my portfolio. It’s quick and easy. When I prepare an image for my website, I do the same thing. One click and it’s done. Actions are a perfect solution to handling any repetitive tasks in PS… and we get questions about them all the time.

A few weeks ago, we hosted a hangout on Google+. We invited G+ community members to join us for a brief tutorial and a discussion about Photoshop Actions. We stared off by walking through the steps required to build a very simple action in Photoshop – and then we talked about saving, loading, and running actions. Afterwards, we took questions from the group. By the time we finished, we’d talked a bit about editing actions, and the limitations of using actions in PS.

Of course, we understand that many people can’t join us when we host a hangout… so, we recorded it for you. We’re posting it here for those who are interested. We hope you enjoy it!

How to Clean Your Tripod

After taking a dip in the ocean during our trip to Iceland, our tripods were badly in need of cleaning. Since it’s important to clean your tripod now and then, we thought we’d share the process on our blog. We try to clean our tripods about twice a year – more often if we’ve been shooting in sand, salt water, or swamps. Grains of sand can work their way into the grooves and threads of your tripod – you’ll know they’re in there if you hear a grinding or grating sound as you turn the knobs or make adjustments to the tripod. Salt water can corrode some metals – so you should rinse your tripod after shooting at the beach. And swamp water – well, the bacteria that grows in swamps can climb right into your tripod legs and just hang out there… multiplying happily until you open your tripod and discover that it really stinks! Cleaning the tripod isn’t particularly difficult… though it can take some time. Jay and I usually clean both tripods at once, so we set aside a morning to do it.

The first step is to take the tripod apart. Each tripod will be different – Jay and I both have Gitzo’s, but they are from different years, and the parts are different. But since they both have twist lock leg mechanisms, they come apart in the same way. We loosen them the same way we would if we wanted to extend the leg segment, and then we keep on twisting in the same direction until the leg detaches. Easy. Locking clips will require a different set of steps – some have removable screws, and some are held in by pins that are not removable. If your tripod doesn’t come apart, don’t sweat it. You can still clean your tripod. I’ll get to that in a minute.

The important thing is to keep track of where all those little pieces go, so that you can put it all back together when you are done. If you are worried about putting it all back together, take some photos for reference as you work. You may find that there are more pieces than you expected. Here’s Varina’s tripod, all taken apart. Notice that we didn’t remove the screws that hold the top of the legs to the center piece. We find that they don’t usually need to be cleaned.

Once the tripod is in pieces, we fill up the sink with hot, soapy water and get down to business. Today, we used Palmolive dish washing soap – which worked just fine. There’s no particular brand that we recommend – but you do want to use dish soap, since it cuts through grease and won’t leave a residue. I use a soft scrubbing pad to clean each part, and an old toothbrush to get the threads clean. I generally keep a small bowl of dish soap handy. I dip my toothbrush into it now and then so that I can get through the grease. You’ll need to scrub the threads carefully to remove any grease that is stuck in there… along with sand, silt, and slime. :) Then a quick rinse, and we lay it all out on a cloth to dry.

Keep in mind that rough-cut edges of metal pieces can give you splinters! Our carbon fiber tripods tend to lose tiny, sharp shards of metal from the ends of the leg segments. I pulled two out of my fingers this morning. Ouch! If you are concerned about it, wear rubber gloves to protect your hands. They’ll keep the grease off your hands and keep your fingers from getting all wrinkly, too. :)

If your tripod doesn’t come apart, just flush out each joint with hot, soapy water. You can use a small brush to get into the little grooves and openings to clean them out as well. Adjust your locking clips and slide the legs in and out under sudsy water if you can. That will help to loosen any grit that is trapped in tight places. You should be able to get the tripod pretty clean that way. Extend all the legs and allow it to dry thoroughly before putting it away.

And now, back to our cleaning process…

Once the pieces are clean and dry, it’s time to put everything back together. You need to use a little bit of grease to keep everything working smoothly. We put a tiny bit of lithium grease on the threads – you can see from the photo how much we use. A little goes a long way – and if you put too much, you’ll just end up having to wipe it off later. We put that little bit of grease on the threads and then screw the leg segments in place slowly – screwing them in and out a bit as we go to help spread the grease around. The pieces should turn smoothly… if you hear a gritty grating sound as you put the pieces back together, check for debris in the threads. You may need to do a better job cleaning. You’ll need grease in all the moving parts – there’s no need to grease screws that should remain tight. Just moving joints and twist locks.

Wipe off any excess grease with a paper towel, and you’re done! Now, that wasn’t so bad, was it!? :)

The frequency with which you’ll need to clean your tripod depends upon how you use it. If it never leaves the house, you probably don’t need to clean it at all. If you are shooting on the grass or a muddy path – just rinse the feet when necessary and you are good to go. Rain won’t hurt your tripod – though prolonged exposure to moisture will corrode some metals… so take the time to dry it off when you come in and leave it open until it’s thoroughly dry. Always rinse your tripod if you use it in salt water – salt can cause corrosion as well.

Take simple precautions to help keep your tripod clean a little longer. When we are shooting in sand, mud, or water, we always extend the lowest leg of the tripod at least a few inches beyond the mess. That simple action keeps the joint up out of the muck. If you can avoid it, don’t immerse the joint in sand or salt water. But don’t worry to much if it does get into the joints. Just take some time to clean it up and you’ll be good to go!