By Varina Patel, on January 22nd, 2010
One of the best markets for landscape photography are annual calendars. Recently two of Jay's images were chosen by a local company for publication in their large art calendar. This photo, titled Reflections of Beauty, was selected for the cover.

This one - titled Stranded - was selected for the October page.

Images for calendars like these are chosen based upon location, theme, or terrain (seascapes, forests, waterfalls, mountains, etc.) - and shots from National Parks are some of the most popular. Most of the time, the calendar company is looking for landscape images that are appropriate for a particular season - so we try to make sure that we shoot in a variety of seasons. For example, if you have photos of Yosemite in Summer, but not in Winter, the publisher will have to go with someone else for those winter images. We visit locations more than once to fill in gaps in our portfolios.
Several months ago, we got a call from National Geographic asking about images for their 2010 Calendars. In the end, they selected two images from National Parks which were published in their 2010 National Park's engagement calender.
The market for landscape photography for calender companies is pretty broad. You can maximize your chances of getting published by expanding your portfolio to include a diverse set of images from a variety of locations - during a variety of seasons.
By Varina Patel, on January 13th, 2010
Last time we got a call from a publisher, they were looking for photographs of "pretty places" for a National Park's calendar. This time, we got a call from National Park's Magazine. They were looking for images to illustrate an upcoming article on investments in water management in Everglades National Park. Here is the photo they selected:

The day we took this shot, we rose early, put on our water shoes, and followed Paul (naturalist, incredible photographer, and friend) into the Everglades. He warned us of sharp limestone beneath the surface of the water - and of Alligators, Cottonmouths, and Burmese Pythons... and he went barefoot.
We spent more than an hour wandering around in this area as the sun came up over the Mangroves, took a bunch of shots, and headed to breakfast. But it isn't the efforts behind the photo that sell it. It's not the hike, the lens, the camera system, or the dangerous animals that threaten to nibble on your toes out there. ;)
In this case it's the location - the heart of a park that is struggling to deal with problems ranging from water management to infestation by invasive species (remember the Pythons we mentioned?) to threatened and endangered species. The light helps - it's a pretty sunrise, and the well-controlled highlights and shadows make it pleasant to look at. But in the end, it's a portrait of this troubled and beautiful location... and that helps the publishers tell their story.
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